7/27/2017 My Life Directed By Nicolas Winding Refn online streamen Deutsch mit deutschen Untertiteln FULLHD 16:9Read NowMy Life Directed by Nicolas Winding Refn': Film Review. It's safe to say that Only God Forgives, Danish director Nicolas Winding Refn's follow- up to his international success Drive, is no Apocalypse Now. Similarly, My Life Directed by Nicolas Winding Refn, his wife Liz Corfixen's behind- the- scenes documentary about the making of that ill- fated film, is no Heart of Darkness: A Filmmaker's Apocalypse, another spousal- made depiction of its subject's artistic travails. Nonetheless, this intriguing if hardly revelatory account offers some provocative moments, even if the personal access doesn't really add very much. With its brief running time, the documentary seems more appropriate as a DVD extra than a stand- alone theatrical release. It's made clear from the depiction of the film's six month shoot in Bangkok that its insecure director was suffering from the pressure created by the success of his previous feature. It's called MY LIFE DIRECTED BY NICHOLAS REFN. seen this documentory titled in two ways out there: My Life Directed and My Life Directed By Nicolas Winding Refn. It won't be as commercial as Drive, he admits early on. Later, he complains about being known as "the guy who made Drive," to which Corfixen reasonably responds, "For many years you were the guy who made Pusher."Not wanting to be separated for the duration of the lengthy shoot, Corfixen and their two young children accompanied him to Bangkok, where they ensconced themselves in a high- rise apartment. But despite the presence of his family, Refn, who at one point instructs his wife how to make a particular shot, is depicted as a severely moody and depressed character often seen moping in bed. Read More. Berlin: Keanu Reeves, Christina Hendricks Join Nicolas Winding Refn's 'The Neon Demon'"I've spent three years making this film and I don't really know what it's about," he whines, foreshadowing a sentiment that would be expressed in many of the film's scathing reviews. The proceedings are filled with oddly eccentric moments, including Refn's friend and mentor, the Spanish cult film director Alejandro Jodorowsky, providing tarot card readings to him and his wife. Refn also persuades his star Ryan Gosling to accompany him to host a screening of Drive for which they'll be paid the princely sum of $4. Will we be able to use it for the film?" the actor asks, to which Refn responds that it will be absolutely necessary. Gosling provides his trademark charisma here, with his already formidable sex appeal only heightened by his propensity for wearing bicep- revealing tank tops and the frequent scenes of him happily playing with the couple's children. When Refn delivers a tortured explanation about a scene, explaining that violence is like sex because "it's all about the build- up," the bemused actor stares directly at the camera, playfully asking, "Did you get that?"Read More'Only God Forgives': Cannes Review There are brief scenes depicting Refn at work on the set, choreographing the film's elaborately staged, floridly violent sequences. That was great blood!" he exclaims to a technician after completing one particularly gory scene. Corfixen takes pains to showcase her husband's angst, while at the same time emphasizing her own strenuous efforts to hold the family together under the difficult circumstances. It lends an undeniably emotional resonance to the proceedings, with the result that the film seems as much personal therapy as an examination of the artistic process. There's also footage of the film's premiere at Cannes and its aftermath, with Refn forlornly reading a particularly scathing review, asking his wife "Why do they have to be so mean?"As usual she responds with common sense. In a way you asked for it," she says. Results for 'My Life Directed by Nicolas Winding Refn' Get Help RSS Feeds; Help Center; Questions? Company Blog; Jobs; Investor. The documentary "My Life Directed by Nicolas Winding Refn" tracks the making of Danish filmmaker Refn's 2013. "My Life" probably should have just been a special. It's not a crowd- pleaser."Director/screenwriter/director of photography: Liv Corfixen. Producer: Lene Borglum. Editor: Catherine Ambus. Composer: Cliff Martinez. Rated PG- 1. 3, 5. Refn's wife, Liv Corfixen, wrote and directed a documentary entitled My Life Directed by Nicolas Winding Refn.“My Life Directed” offers up some uncomfortable displays of marital tension. GoWatchIt: Buy. Rent. Stream My Life Directed By Nicolas Winding Refn. Amazon.com: my life directed by nicolas winding refn. Interesting Finds Updated Daily. Amazon Try Prime All. My Life Directed: Nicolas Winding Refn Documentary. ONLY GOD FORGIVES (double bill with MY LIFE DIRECTED. Watch the trailer for “My Life Directed by Nicolas Winding Refn”! Cinefamily Newsletter. Contact Us. My Life Directed By Nicolas Winding Refn: Exclusive Interview. Fantastic Fest had the world premiere of My Life Directed by Nicolas Winding Refn, a documentary about the filmmaker’s time in Bangkok directing his previous movie Only God Forgives. Refn’s wife Liv Corfixen filmed Refn’s struggles and presents a very candid portrait of his insecurities as he reads the hype after Drive and struggles with nailing down his vision. Refn and Corfixen were in Austin to discuss the film, and we sat down with them over a plate of barbecue. Crave. Online: Nicolas, do you go through something like this on every film? Nicolas Winding Refn: Yeah, pretty much. Liv Corfixen: Yeah, he does. I feel it’s not something new to me. I could have made documentaries every single time. It’s just this time we came along the whole time to Bangkok. He goes through all these depressions and anxiety attacks almost every time. Which other films of yours would have presented as revealing a portrait following you behind the scenes? Nicolas Winding Refn: Every one. Drive, Bronson, Valhalla Rising. If your concerns on Only God Forgives were following up the success of Drive, what then were your concerns making Drive? Nicolas Winding Refn: Was this movie going to be any good. It’s always painful to make these things. You always struck me as a filmmaker who didn’t care what other people, certainly critics, think. Was I wrong? Nicolas Winding Refn: No, no, I don’t really care what anybody else thinks but you still want to be valued. You still want to matter, but it’s more about vanity. Criticism is all about vanity because it’s unreal. In the end what really counts if you want to make more movies is that your movies make money. It’s very, very simple. Criticism, festivals and awards, it’s all just vanity. Liv Corfixen: Besides the creative process, his biggest concern really is not if people like it but does it earn its money back. That’s always what he thinks about. Did Only God Forgives ultimately make its money back? Nicolas Winding Refn: A lot, yes. So much that my new film got greenlit without a script. Which film is that? Nicolas Winding Refn: I can’t tell you, but I’m making it in February. So this is one that hasn’t been announced yet, and you’re making it before some of these others? Nicolas Winding Refn: Well, don’t believe everything you read on the internet. I know, I do my best to clarify every time I talk to you. So if you were concerned about following up Drive and comparisons to Drive, you had been developing Only God Forgives long before Drive, even before Valhalla Rising. Did it change a lot from the original concept? Nicolas Winding Refn: Yeah, because it took some time before I decided to make it, and I took these detours like making Valhalla Rising first and then Drive. I was basically off to Bangkok and then I decided to go and do Drive first. But I think it was good for the movie. I think it was good that I waited that long because then it became what it relaly needed to become. I always think there’s a reason for everything. You originally described Only God Forgives as a Thai fighting movie. Was the original concept more of a traditional martial arts movie with a few set piece fight scenes? Nicolas Winding Refn: That’s how I sold it to get the money. But you knew all along? Nicolas Winding Refn: Well, I knew all along that if I just made it at a certain budget level than I would be left alone. That’s really what it is. It’s about a number. You may have all the creative freedom contractually, but it really doesn’t mean anything because if you make a movie that’s X amount of money, it needs to make X amount of money and you have to make a certain type of movie. That’s just how the market values [movies]. Again, the more money you have, the more headaches you have and the more pressure is on you. I noticed you have a Once Upon a Time in the West poster on your wall. What is your love for that film and what inspiration do you derive from it? Nicolas Winding Refn: It’s a movie where it’s got a soundtrack that my mother had the soundtrack. When I was little I would listen to it a lot before ever seeing the movie. So it’s a movie that built up in my mind as this experience really. So I always had a very deep love for that film, and I always felt that Liv looked a little bit like Claudia Cardinale. 6. Why was it the right length and what are the plans for releasing it? Liv Corfixen: Yeah, everyone was trying to persuade me to make it longer but I didn’t feel that it could take it. We just felt this was the right length, even though we knew it might only be for TV. They put it in the cinema in Denmark this summer. France and Germany bought it, the U. K., Japan and here in December on i. Tunes, the soundtrack also. You joked at the press junket for Drive that there’d be a Drive 2. I spoke to Hossein Amini this summer and I think at one point he didn’t know you were joking. But there was actually a sequel to the book, right? Nicolas Winding Refn: For some reason, the writer of the book decided to write a sequel. I never read it. Right when the movie came out and the movie did well, he wrote a sequel but the sequel was purely written because of the success of the movie. I never read it, and also there was never going to be a Drive 2. Is “Barbarella” moving along? Nicolas Winding Refn: It’s moving but it’s big machinery you have to move, so it’s not just something that’s decided in a meeting. Is it any closer than when we talked last year? Nicolas Winding Refn: Yeah, it’s a little. It’s a little closer. Not any closer to casting? Nicolas Winding Refn: No, no, we’re still just at the script stage. Because it’s sci- fi, it’s a lot of of world inventing. Are you attached to a Maniac Cop remake? Nicolas Winding Refn: Well, I own the property with my friend Bill Lustig so we’ve been, for some time now, talking about doing it. We’ll probably end up in the near future deciding who’s going to direct it. It was a great underground cult film series. Do you think there’s a way to reach a bigger audience with a new version or keep it in that realm? Nicolas Winding Refn: Of course, it’s a new version, a new audience, new possibilities. Fred Topel is a staff writer at Crave. Online and the man behind Best Episode Ever and The Shelf Space Awards. Follow him on Twitter at @Fred.
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AutorEscreva algo sobre si mesmo. Não precisa ser extravagante, apenas uma visão geral. Histórico
Fevereiro 2019
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